CHAPTER VIII: FROM MOCTEZUMA II TO NONOALCO IN 1968: TODOS LOS GATOS SON PARDOS.
Chapter VIII of the book "Lifting the Obsidian Mask: The Artistic Vision of Carlos Fuentes" is presented. It offers a critique to the play of Mexican essayist and novelist Carlos Fuentes entitled "Todos los gatos son pardos." It considers the work as complementing to the many achievements of Fuentes...
| Publicado en: | Lifting The Obsidian Mask: The Artistic Vision of Carlos Fuentes pp. 139 - 160 |
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| Formato: | Capítulo de libro |
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Digitalia Publishing Corp.
2007
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=32084098&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 32084098 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: isbn: 9781882528486 jinfo: jid: 55HX jtl: Lifting The Obsidian Mask: The Artistic Vision of Carlos Fuentes maglogo: N pubinfo: dt: 2007 pid: 39253 pub: Digitalia Publishing Corp. artinfo: ui: 32084098 ppf: 139 ppct: 21 formats: tig: atl: CHAPTER VIII: FROM MOCTEZUMA II TO NONOALCO IN 1968: TODOS LOS GATOS SON PARDOS. aug: au: Gyurko, Lanin A. su: Theater Fuentes, Carlos, 1928-2012 Authors Fiction Performing arts sug: subj: Theater Fuentes, Carlos, 1928-2012 Authors Fiction Performing arts ab: Chapter VIII of the book "Lifting the Obsidian Mask: The Artistic Vision of Carlos Fuentes" is presented. It offers a critique to the play of Mexican essayist and novelist Carlos Fuentes entitled "Todos los gatos son pardos." It considers the work as complementing to the many achievements of Fuentes in the genres of novel and short story. It notes that the play fuses Mexican history and ancient Aztec myth with that of the massacre in 1968 of the students in the Plaza of Nonoalco Tlatelolco. pubtype: Book doctype: Book Chapter src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2007 holdings: @attributes: islocal: N |
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