Authorship and Identity in Late Thirteenth-Century Motets
Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositi...
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Routledge
2022
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=3215599&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 3215599 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: Authorship and Identity in Late Thirteenth-Century Motets aug: au: Catherine A. Bradley sertl: Royal Musical Association Monographs isbn: 9781032194578 9781032194608 9781000580631 9781000581430 9781003259282 imageinfo: pubinfo: dt: @attributes: year: 2022 month: 01 day: 01 dtAvail: @attributes: year: 2022 month: 06 day: 03 pub: Routledge pubContract: Taylor & Francis (Unlimited) place: [S.l.] price: 0.01 limitsGroup: maxCheckoutDays: 1500 copyPages: -1 pda: N printPagesOffline: 60 printPagesOnline: 60 previewPages: 10000 prePubGroup: dewey: @attributes: class: 782.260902 item: 782 .260902 lc: @attributes: class: ML1602 item: ML 1602 artinfo: ui: 3215599 1296941489 formats: fmt: – @attributes: type: EB doid: NL$3215599$PDF caption: PDF download: Y – @attributes: type: EK doid: NL$3215599$EPUB caption: EPUB download: Y tig: atl: Authorship and Identity in Late Thirteenth-Century Motets ptl: Authorship and Identity in Late Thirteenth-Century Motets aug: au: Catherine A. Bradley su: Motets--History and criticism Music--Philosophy and aesthetics--History--To 1500 sug: subj: MUSIC / History & Criticism MUSIC / General MUSIC / Instruction & Study / Appreciation MUSIC / Religious / Christian Motets--History and criticism Music--Philosophy and aesthetics--History--To 1500 ab: Questions of authorship are central to the late thirteenth-century motet repertoire represented by the seventh section or fascicle of the Montpellier Codex (Montpellier, Bibliothèque interuniversitaire, Section de médecine, H. 196, hereafter Mo). Mo does not explicitly attribute any of its compositions, but theoretical sources name Petrus de Cruce as the composer of the two motets that open fascicle 7, and three later motets in this fascicle are elsewhere ascribed to Adam de la Halle. This monograph reveals a musical and textual quotation of Adam's Aucun se sont loe incipit at the outset of Petrus's Aucun ont trouve triplum, and it explores various invocations of Adam and Petrus – their works and techniques – within further anonymous compositions. Authorship is additionally considered from the perspective of two new types of motets especially prevalent in fascicle 7: motets that name musicians, as well as those based on vernacular song or instrumental melodies, some of which are identified by the names of their creators. This book offers new insights into the musical, poetic, and curatorial reception of thirteenth-century composers'works in their own time. It uncovers, beneath the surface of an anonymous motet book, unsuspected interactions between authors and traces of compositional identities. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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