Overcoming Dichotomies : Parables, Fables, and Similes in the Graeco-Roman World

This volume aims to broaden our understanding of the related genres of parables, fables, and similes in the Graeco-Roman world. These genres, which make use of narrative analogy, appear in early Christian and ancient Jewish literatures and in various Graeco-Roman sources. However, despite the fact t...

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Detalles Bibliográficos
Autores principales: Albertina Oegema, Jonathan Pater, Martijn Stoutjesdijk
Formato: Libro
Publicado: Mohr Siebeck GmbH & Co. KG 2022
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Acceso en línea:Ver este registro en EBSCOhost
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          Albertina Oegema
          Jonathan Pater
          Martijn Stoutjesdijk
      sertl: Wissenschaftliche Untersuchungen Zum Neuen Testament
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        ptl: Overcoming Dichotomies
      aug:
        au:
          Albertina Oegema
          Jonathan Pater
          Martijn Stoutjesdijk
      su:
        Parables
        Literary form--History--To 1500
        Simile
        Fables
      sug:
        subj:
          HISTORY / Ancient / General
          RELIGION / General
          RELIGION / Biblical Studies / General
          RELIGION / Biblical Studies / New Testament / General
          RELIGION / Judaism / General
          RELIGION / Judaism / History
          RELIGION / Christian Theology / General
          RELIGION / Theology
          Parables
          Literary form--History--To 1500
          Simile
          Fables
      ab: This volume aims to broaden our understanding of the related genres of parables, fables, and similes in the Graeco-Roman world. These genres, which make use of narrative analogy, appear in early Christian and ancient Jewish literatures and in various Graeco-Roman sources. However, despite the fact that these texts were part of the wider cultural context of Graeco-Roman antiquity, they have not yet been thoroughly studied in relation to each other. The present volume brings together contributions on a range of Graeco-Roman, Jewish, and Christian sources, so as to contribute to the study of parables, fables, and similes across disciplinary boundaries. The contributions highlight the fluid boundaries between these different genres, but also demonstrate how their adoption and adaption in different literary works give expression to the distinct identities of the composers.
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