Machaut's Monophonic Virelai Tuit mi penser: Intersections of Language Sound, Pitch Space, Performance, and Meaning.
While analyses of vocal music often highlight connections between textual meaning and musical structure, less common is the study of language sounds in relation to musical structure. An exploration of Guillaume de Machaut's monophonic virelai Tuit mi penser highlights connections that exist between...
| Publicado en: | Journal of Musicological Research Vol. 27; no. 3; pp. 226 - 254 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Jul-Sep2008
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=33400096&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 33400096 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01411896 7WF jtl: Journal of Musicological Research issn: 01411896 maglogo: N pubinfo: dt: Jul-Sep2008 vid: 27 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 33400096 10.1080/01411890802212592 ppf: 226 ppct: 28 formats: fmt: – @attributes: type: T – @attributes: type: P size: 922KB tig: atl: Machaut's Monophonic Virelai Tuit mi penser: Intersections of Language Sound, Pitch Space, Performance, and Meaning. aug: au: Latartara, John affil: University of Mississippi su: Vocal music Music history Historiography of music Musicology Art & music sug: subj: Vocal music Music history Historiography of music Musicology Art & music ab: While analyses of vocal music often highlight connections between textual meaning and musical structure, less common is the study of language sounds in relation to musical structure. An exploration of Guillaume de Machaut's monophonic virelai Tuit mi penser highlights connections that exist between language sounds, pitch space, performance, and meaning. In particular, the refrain of Tuit mi penser fuses the pitch motion with the language sound progression to create a darkening trajectory of the musical sound. This musical sound progression is seen both in Machaut's notation as well as two performances using spectrographs, which are computer images of musical performance. A comparison of Machaut's notation with sonic analysis of actual musical performances reveals the intersections between not only pitch, language sound, and performance, but also musical structure and semantic meaning of the text. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Musicological Research is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Musicological Research holder: Taylor & Francis Ltd dt: @attributes: year: 2008 holdings: @attributes: islocal: N |
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