Wrestling with Francis Bacon.

In this article Francis Bacon's 1953 painting Two Figure is approached through an archive consisting of popular and banal visual and written texts that are related to social/sexual practices and pleasures that in the 1950s were increasingly identified in the popular press as 'homosexual'. It is sugg...

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Publicado en:Oxford Art Journal Vol. 24; no. 1; pp. 113 - 131
Autor principal: Ofield, Simon
Formato: Artículo
Publicado: Oxford University Press / USA 2001
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Acceso en línea:Ver este registro en EBSCOhost