Stigmatics and Visual Culture in Late Medieval and Early Modern Italy

This book places the discourse surrounding stigmata within the visual culture of the late medieval and early modern periods, with a particular focus on Italy and on female stigmatics. Echoing, and to a certain extent recreating, the wounds and pain inflicted on Christ during his passion, stigmata st...

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Detalles Bibliográficos
Autor principal: Cordelia Warr
Formato: Libro
Publicado: Routledge 2022
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        Stigmatization in art
        Art and society--Italy--History
        Painting, Italian
        Gender identity in art
        Women in art
        Religion in art
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          ART / European / General
          ART / Movements / Renaissance
          ART / Subjects & Themes / Religious
          Stigmatization in art
          Art and society--Italy--History
          Painting, Italian
          Gender identity in art
          Women in art
          Religion in art
      ab: This book places the discourse surrounding stigmata within the visual culture of the late medieval and early modern periods, with a particular focus on Italy and on female stigmatics. Echoing, and to a certain extent recreating, the wounds and pain inflicted on Christ during his passion, stigmata stimulated controversy. Related to this were issues that were deeply rooted in contemporary visual culture such as how stigmata were described and performed and whether, or how, it was legitimate to represent stigmata in visual art. Because of the contested nature of stigmata and because stigmata did not always manifest in the same form - sometimes invisible, sometimes visible only periodically, sometimes miraculous, and sometimes self-inflicted - they provoked complex questions and reflections relating to the nature and purpose of visual representation.
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