Performing Peace and Friendship : The World Youth Festivals and Soviet Cultural Diplomacy

Performing Peace and Friendship tells the story of how the Soviet Union succeeded in utilizing the World Festival of Youth and Students in its cultural diplomacy from late Stalinism through the early Khrushchev period. Pia Koivunen discusses the evolution of the youth gathering into a Soviet cultura...

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Detalles Bibliográficos
Autor principal: Pia Koivunen
Formato: Libro
Publicado: De Gruyter Oldenbourg 2023
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Acceso en línea:Ver este registro en EBSCOhost
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      sertl: Rethinking the Cold War
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        au: Pia Koivunen
      su:
        Cold War--Social aspects--Soviet Union
        Youth--Soviet Union--Social life and customs
        Youth and war--History--20th century
        Festivals--History--20th century
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          HISTORY / Wars & Conflicts / General
          HISTORY / General
          HISTORY / Europe / Eastern
          HISTORY / Russia / General
          HISTORY / Modern / 21st Century
          HISTORY / Social History
          POLITICAL SCIENCE / History & Theory
          Cold War--Social aspects--Soviet Union
          Youth--Soviet Union--Social life and customs
          Youth and war--History--20th century
          Festivals--History--20th century
      ab: Performing Peace and Friendship tells the story of how the Soviet Union succeeded in utilizing the World Festival of Youth and Students in its cultural diplomacy from late Stalinism through the early Khrushchev period. Pia Koivunen discusses the evolution of the youth gathering into a Soviet cultural product starting from the first festival held in Prague in 1947 and ending with the Moscow 1957 gathering, the latter becoming one of the most frequently referred moments of Khrushchev's Thaw. By combining both institutional and grass-roots'perspectives, the book widens our understanding of what Soviet cultural diplomacy was in practice, re-evaluates the agency of young people and provides new insights into the Soviet role in the cultural Cold War. Koivunen argues that rather than simply being orchestrated rallies by the Kremlin bureaucrats, the World Youth Festivals also became significant spaces of transnational encounters for young people, who found ways to employ the event for overcoming the various restrictions and boundaries of the Cold War world.
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