Boedo "Circens": Leónidas Barletta, Raúl González Tuñón, and the Limits of Tradition.
The circus and circensian practices lend themselves particularly well to the Latin American avant-gardes as privileged proletarian spaces encompassing both the ''crafty'' extreme of carnival—in Bakhtin's sense of subversive and artisan—as well as the commercial, technological aspects of the emerging...
| Publicado en: | Hispanic Review Vol. 76; no. 3; pp. 257 - 280 |
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| Formato: | Literary Criticism |
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University of Pennsylvania Press
Summer2008
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| Acceso en línea: | Ver este registro en EBSCOhost |