Image, Text, Stone : Intermedial Perspectives on Graeco-Roman Sculpture

This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statue...

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Detalles Bibliográficos
Autores principales: Nikolaus Dietrich, Johannes Fouquet
Formato: Libro
Publicado: De Gruyter 2022
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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          Nikolaus Dietrich
          Johannes Fouquet
      sertl: Materiale Textkulturen
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        atl: Image, Text, Stone : Intermedial Perspectives on Graeco-Roman Sculpture
        ptl: Image, Text, Stone
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        au:
          Nikolaus Dietrich
          Johannes Fouquet
      su:
        Sculpture, Roman
        Sculpture, Greek
        Intermediality
        Sculpture, Classical
      sug:
        subj:
          ART / History / Ancient & Classical
          HISTORY / Ancient / General
          LITERARY CRITICISM / Ancient & Classical
          Sculpture, Roman
          Sculpture, Greek
          Intermediality
          Sculpture, Classical
      ab: This edited volume explores the intermediality of image and text in Graeco-Roman sculpture. Through its choice of authors, disciplinary backgrounds are deliberately merged in order to bridge the traditional gap between archaeologists, epigraphists and philologists, who for a long time studied statues, material inscriptions and literary epigrams within the closely confined borders of their individual disciplines. Through its choice of objects, privileging works of which there are significant material remains, through its inclusion of all kinds of figural-cum-inscriptional designs, ranging from grand sculpture to reliefs and ‘decorative'marble-objects, and through its methodological emphasis on ‘close viewing'(and reading!) of individual objects, this volume focuses on the materiality of both sculpture and inscription. This perspective is enriched by two comparative chapters on inscribing Greek vases and Roman walls (graffiti). The intermediality of image and inscription is envisaged from various thematic angles, including the intricacies of combining image and epigram (both materially and in literary projection), the original production and reception of inscribed sculpture in its ‘long life', the viewing and ‘reading'of sculpture in a space of movement, the issue of (re-)naming statues, and the image and inscription in its social and gender-historical context.
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    language: English
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