Modernist Idealism : Ambivalent Legacies of German Philosophy in Italian Literature

Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism empl...

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Detalles Bibliográficos
Autor principal: Michael J. Subialka
Formato: Libro
Publicado: University of Toronto Press 2022
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Modernist Idealism : Ambivalent Legacies of German Philosophy in Italian Literature
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        au: Michael J. Subialka
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        Philosophy, German--19th century
        Idealism, German--Italy
        Italian literature--German influences
        Italian literature--19th century--History and criticism
        Italian literature--20th century--History and criticism
        Literature--Philosophy
        Modernism (Literature)--Italy
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        subj:
          LITERARY CRITICISM / European / Italian
          HISTORY / Europe / Italy
          LITERARY CRITICISM / European / German
          PHILOSOPHY / Movements / Idealism
          Philosophy, German--19th century
          Idealism, German--Italy
          Italian literature--German influences
          Italian literature--19th century--History and criticism
          Italian literature--20th century--History and criticism
          Literature--Philosophy
          Modernism (Literature)--Italy
      ab: Offering a new approach to the intersection of literature and philosophy, Modernist Idealism contends that certain models of idealist thought require artistic form for their full development and that modernism realizes philosophical idealism in aesthetic form. This comparative view of modernism employs tools from intellectual history, literary analysis, and philosophical critique, focusing on the Italian reception of German idealist thought from the mid-1800s to the Second World War. Modernist Idealism intervenes in ongoing debates about the nineteenth- and twentieth-century resurgence of materialism and spiritualism, as well as the relation of decadent, avant-garde, and modernist production. Michael J. Subialka aims to open new discursive space for the philosophical study of modernist literary and visual culture, considering not only philosophical and literary texts but also early cinema. The author's main contention is that, in various media and with sometimes radically different political and cultural aims, a host of modernist artists and thinkers can be seen as sharing in a project to realize idealist philosophical worldviews in aesthetic form.
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    language: English
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