Between Real Time and Memory on Demand: Reflections on/of Television.
The article discusses the development in the electronic mass media as a subject to cultural memory. According to the author, media studies have observed the electronic mass media independently of the fixation on program content in traditional televisual analysis and decipher these effects as functio...
| Publicado en: | South Atlantic Quarterly Vol. 101; no. 3; pp. 625 - 638 |
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| Formato: | Artículo |
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Duke University Press
Summer2002
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=34748165&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 34748165 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00382876 SAQ jtl: South Atlantic Quarterly issn: 00382876 maglogo: N pubinfo: dt: Summer2002 vid: 101 iid: 3 pid: 154 pub: Duke University Press artinfo: ui: 34748165 10.1215/00382876-101-3-625 ppf: 625 ppct: 13 formats: tig: atl: Between Real Time and Memory on Demand: Reflections on/of Television. aug: au: Ernst, Wolfgang su: Mass media & art Benjamin, Walter, 1892-1940 McLuhan, Marshall, 1911-1980 Computer programming Television programs Digital media Computer science Digital technology Memory sug: subj: Mass media & art Benjamin, Walter, 1892-1940 McLuhan, Marshall, 1911-1980 Computer programming Television programs Digital media Computer science Digital technology Memory ab: The article discusses the development in the electronic mass media as a subject to cultural memory. According to the author, media studies have observed the electronic mass media independently of the fixation on program content in traditional televisual analysis and decipher these effects as functions of programming in the sense of computer science. According to Marshall McLuhan, no medium has independent meaning, but only in relation to other media. Moreover, Walter Benjamin points out that what is condemned in the age of technical reproducibility is not aura as such but the aura of art as a work of representation, a work that would have its fixed place, that would take its place in and as a world-picture. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2002 holdings: @attributes: islocal: N |
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