The Leisure Class versus the Tourists: The Hidden Struggle in the Collecting of Pueblo Pottery at the Turn of the Twentieth Century.
Attention to class is proposed as a heretofore unexplored part of the explanation for the development of the “native arts” market in North America. A focus on the collecting of Pueblo pottery around the turn of the twentieth century frames the discussion. Class differences account for variability in...
| Publicado en: | History & Anthropology Vol. 19; no. 3; pp. 187 - 208 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Sep2008
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=34950037&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 34950037 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02757206 7VZ jtl: History & Anthropology issn: 02757206 maglogo: N pubinfo: dt: Sep2008 vid: 19 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 34950037 10.1080/02757200802449964 ppf: 187 ppct: 21 formats: fmt: – @attributes: type: T – @attributes: type: P size: 95KB tig: atl: The Leisure Class versus the Tourists: The Hidden Struggle in the Collecting of Pueblo Pottery at the Turn of the Twentieth Century. aug: au: Clemmer, RichardO. su: Collectors & collecting Native American pottery Arts Pottery Ceramics Vases Labor History Southwestern United States sug: subj: Southwestern United States Collectors & collecting Native American pottery Arts Pottery Ceramics Vases Labor History keyword: Class Collectors Pueblos Taste ab: Attention to class is proposed as a heretofore unexplored part of the explanation for the development of the “native arts” market in North America. A focus on the collecting of Pueblo pottery around the turn of the twentieth century frames the discussion. Class differences account for variability in shapes, designs and sizes of ceramic items produced by Puebloan potters for sale and determined the kinds of ceramic items that were sought. Distinctions in class played themselves out in the expression of conflicts over taste. The branding of some pottery as “good” and some as “bad” masked the reinforcing of boundaries between the elite and lower classes. Pueblo potters' labour and the products of that labour were influenced and conditioned by these different kinds of class habitus. Discussion of particular collectors and their motivations as well as the quantities, prices, and descriptors of items demonstrates these points. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of History & Anthropology is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: History & Anthropology holder: Taylor & Francis Ltd dt: @attributes: year: 2008 holdings: @attributes: islocal: N |
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