Why Live? Performance in the Age of Digital Reproduction.
The article discusses various reports published within the issue including one which draws analogies between digital sampling and recording and its antecedents in jazz improvisation, and an article which discusses the ambiguous identity of technology in live performance.
| Publicado en: | Leonardo Music Journal Vol. 18; no. 1; pp. 7 - 9 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
MIT Press
Dec2008
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The article discusses various reports published within the issue including one which draws analogies between digital sampling and recording and its antecedents in jazz improvisation, and an article which discusses the ambiguous identity of technology in live performance. |
|---|