A Companion to Anticlassicisms in the Cinquecento

‘Anticlassicisms,'as a plural, react to the many possible forms of ‘classicisms.'In the sixteenth century, classicist tendencies range from humanist traditions focusing on Horace and the teachings of rhetoric, via Pietro Bembo's canonization of a ‘second antiquity'in the works of the fourteenth-cent...

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Autores principales: Marc Föcking, Susanne A. Friede, Florian Mehltretter, Angela Oster
Formato: Libro
Publicado: De Gruyter 2023
Acceso en línea:Ver este registro en EBSCOhost
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          Marc Föcking
          Susanne A. Friede
          Florian Mehltretter
          Angela Oster
      sertl: Classicism and Beyond / Il Classicismo E Oltre
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        9783110783339
        9783110783438
        9783110783476
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      aug:
        au:
          Marc Föcking
          Susanne A. Friede
          Florian Mehltretter
          Angela Oster
      su: Classicism
      sug:
        subj:
          LITERARY CRITICISM / European / Italian
          LITERARY CRITICISM / General
          LITERARY CRITICISM / Ancient & Classical
          LITERARY CRITICISM / Semiotics & Theory
          LITERARY CRITICISM / Modern / 16th Century
          Classicism
      ab: ‘Anticlassicisms,'as a plural, react to the many possible forms of ‘classicisms.'In the sixteenth century, classicist tendencies range from humanist traditions focusing on Horace and the teachings of rhetoric, via Pietro Bembo's canonization of a ‘second antiquity'in the works of the fourteenth-century classics, Petrarch and Boccaccio, to the Aristotelianism of the second half of the century. Correspondingly, the various tendencies to destabilize or to subvert or contradict these manifold and historically dynamic ‘classicisms'need to be distinguished as so many ‘anticlassicisms'. This volume, after discussing the history and possible implications of the label ‘anticlassicism'in Renaissance studies, differentiates and analyzes these ‘anticlassicisms.'It distinguishes the various forms of opposition to ‘classicisms'as to their scope (on a scale between radical poetological dissension to merely sectorial opposition in a given literary genre) and to their alternative models, be they authors (like Dante) or texts. At the same time, the various chapters specify the degree of difference or erosion inherent in anticlassicist tendencies with respect to their ‘classicist'counterparts, ranging from implicit ‘system disturbances'to open, intended antagonism (as in Bernesque poetry), with a view to establishing an overall picture of this field of phenomena for the first time.
      pubtype: eBook
      doctype: Book
      ougenre: Book
    language: English
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