From post-industrial landscape to creative precincts.

The urban development of Chinese cities has been very much a top-down process, leading to the oft-heard criticism that the current urban development process is overly influenced by national economic plans. This article attempts to unearth an emergent phenomenon in Chinese cities: post-industrial spa...

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Publicado en:International Development Planning Review Vol. 30; no. 3; pp. 249 - 267
Autores principales: Limin Hee, Schroepfer, Thomas, Su Nanxi, Li Ze
Formato: Artículo
Publicado: Liverpool University Press / Journals Aug2008
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: From post-industrial landscape to creative precincts.
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          Limin Hee
          Schroepfer, Thomas
          Su Nanxi
          Li Ze
        affil:
          Assistant Professor, Department of Architecture, National University of Singapore, 4 Architecture Drive, Singapore 117566
          Assistant Professor, Department of Architecture, Harvard Graduate School of Design, 48 Quincy Street, Cambridge, MA 02138
      su:
        Urban planning
        Urban growth
        Urbanization
        Economic development
        Economic conditions in China
        China
      sug:
        subj:
          China
          Urban planning
          Urban growth
          Urbanization
          Economic development
          Economic conditions in China
      ab: The urban development of Chinese cities has been very much a top-down process, leading to the oft-heard criticism that the current urban development process is overly influenced by national economic plans. This article attempts to unearth an emergent phenomenon in Chinese cities: post-industrial spaces that are initially revitalised by spontaneous occupation, later becoming established arts communities. These processes introduce important new spatial typologies and practices that have the potential to act as spaces of resistance to broad-brush planning by municipal authorities. The authors document the development of some of these spaces, and speculate on the role of artist-led gentrification and the development of new urban spaces in leading Chinese cities such as Shanghai and Beijing. The anatomy of these developments suggests how the face of bureaucratic Chinese planning has changed in the light of new challenges.
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