To Be Real: Figuring Blackness in Modern and Contemporary African Diaspora Visual Cultures.
This essay explores figuration in artistic- and museum-exhibiting practices of the late twentieth and early twenty-first century that undermine the authority of authentic blackness as a primary tenet of African diasporic identification. It takes its cue from the cultural theorist Stuart Hall's keen...
| Publicado en: | Radical History Review no. 103; pp. 188 - 204 |
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| Formato: | Essay |
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Duke University Press
Winter2009
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| Acceso en línea: | Ver este registro en EBSCOhost |