Thoughts on Creative Evolution: A Meta-generative Approach to Composition.
Numerous composers have used evolutionary algorithms to create music and sound. Such techniques can navigate vast spaces of possible results in a directed search, and they can be applied to supervise virtually any generative process, and hence operate on a meta-generative level. Based on nine years...
| Publicado en: | Contemporary Music Review Vol. 28; no. 1; pp. 43 - 56 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2009
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=36636061&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 36636061 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2009 vid: 28 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 36636061 10.1080/07494460802664023 ppf: 43 ppct: 13 formats: fmt: – @attributes: type: T – @attributes: type: P size: 86KB tig: atl: Thoughts on Creative Evolution: A Meta-generative Approach to Composition. aug: au: Dahlstedt, Palle su: Algorithms Music Sound Composers Musicians Idioms sug: subj: Algorithms Music Sound Composers Musicians Idioms keyword: Computer Music Creativity Evolutionary Algorithms Generative Music Music Composition ab: Numerous composers have used evolutionary algorithms to create music and sound. Such techniques can navigate vast spaces of possible results in a directed search, and they can be applied to supervise virtually any generative process, and hence operate on a meta-generative level. Based on nine years of work in the field, as composer, musician, researcher and developer, the author gives his view on how evolutionary algorithms can be used as creative tools in the compositional process, and shares his experiences of how these systems can be designed to work well, from a composer's viewpoint. Their limitations, aesthetic implications and idiomatics are also discussed. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
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