Split Levels: Symbolic to Sub-symbolic Interactive Music Systems.
The first wave of interactive music systems relied almost exclusively on the Musical Instrument Digital Interface (MIDI) standard, a symbolic representation of music modeled closely on the behavior of a piano keyboard, as well as traditional concepts of music notation. The second wave takes as its i...
| Publicado en: | Contemporary Music Review Vol. 28; no. 1; pp. 31 - 43 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
2009
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=36636062&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 36636062 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: 2009 vid: 28 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 36636062 10.1080/07494460802664015 ppf: 31 ppct: 12 formats: fmt: – @attributes: type: T – @attributes: type: P size: 271KB tig: atl: Split Levels: Symbolic to Sub-symbolic Interactive Music Systems. aug: au: Rowe, Robert su: Music software MIDI (Standard) Musical notation Analog-to-digital converter standards Musical meter & rhythm Algorithms sug: subj: Music software MIDI (Standard) Musical notation Analog-to-digital converter standards Musical meter & rhythm Algorithms keyword: Audio Analysis Interactive Music System Symbolic and Sub-symbolic ab: The first wave of interactive music systems relied almost exclusively on the Musical Instrument Digital Interface (MIDI) standard, a symbolic representation of music modeled closely on the behavior of a piano keyboard, as well as traditional concepts of music notation. The second wave takes as its input raw audio signals, a sub-symbolic data representation that is far more flexible while being far less structured. This article will consider the issues involved with building a pathway back up from sub-symbolic systems to the symbolic approaches of the first wave, and the relative advantages of the two. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
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