Composing Sound Structures with Rules.

This article discusses the composition of musical structures, in particular sound structures, using generative systems based on work done at the Institute of Sonology in the 1970s. A view of the aesthetic background of G. M. Koenig is presented and used as a framework for the description of other so...

Full description

Bibliographic Details
Published in:Contemporary Music Review Vol. 28; no. 1; pp. 75 - 88
Main Author: Berg, Paul
Format: Article
Published: Taylor & Francis Ltd 2009
Subjects:
Online Access:View this record in EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=36636069&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 36636069
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        07494467
        7VR
      jtl: Contemporary Music Review
      issn: 07494467
      maglogo: N
    pubinfo:
      dt: 2009
      vid: 28
      iid: 1
      pid: 377
      pub: Taylor & Francis Ltd
    artinfo:
      ui:
        36636069
        10.1080/07494460802664049
      ppf: 75
      ppct: 13
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 81KB
      tig:
        atl: Composing Sound Structures with Rules.
      aug:
        au: Berg, Paul
      su:
        Musical composition
        Music
        Computer software
        Koenig, G. M.
        Composers
        Instrumental music
      sug:
        subj:
          Musical composition
          Music
          Computer software
          Koenig, G. M.
          Composers
          Instrumental music
      keyword:
        Algorithmic Composition
        Composing Sound
        Non-standard Synthesis
        Sonology
      ab: This article discusses the composition of musical structures, in particular sound structures, using generative systems based on work done at the Institute of Sonology in the 1970s. A view of the aesthetic background of G. M. Koenig is presented and used as a framework for the description of other software projects which often focused on micro-structure.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Contemporary Music Review
      holder: Taylor & Francis Ltd
      dt:
        @attributes:
          year: 2009
    holdings:
      @attributes:
        islocal: N