Debord, Cybersituations, and the Interactive Spectacle.
Deals with the ideas of Guy Debord in formulating the interactive spectacle, a phenomenon that brought forms of seduction and domination in society. Theory of Debord on the spectacle; Views on Debord's analysis of the spectacle; Trajectories and effects of the interactive spectacle.
| Publicado en: | Substance: A Review of Theory & Literary Criticism Vol. 28; no. 3; pp. 129 - 157 |
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| Autores principales: | , |
| Formato: | Literary Criticism |
| Publicado: |
Johns Hopkins University Press
1999
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| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | Deals with the ideas of Guy Debord in formulating the interactive spectacle, a phenomenon that brought forms of seduction and domination in society. Theory of Debord on the spectacle; Views on Debord's analysis of the spectacle; Trajectories and effects of the interactive spectacle. |
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