The Persistence of Dance : Choreography As Concept and Material in Contemporary Art
There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance...
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University of Michigan Press
2023
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=3704239&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 3704239 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: The Persistence of Dance : Choreography As Concept and Material in Contemporary Art aug: au: Erin Brannigan isbn: 9780472056484 9780472076482 9780472903894 imageinfo: pubinfo: dt: @attributes: year: 2023 month: 01 day: 01 dtAvail: @attributes: year: 2024 month: 01 day: 12 pub: University of Michigan Press pubContract: University of Michigan Press place: Ann Arbor price: 0.01 limitsGroup: maxCheckoutDays: 1500 pda: N printPagesOffline: 100 printPagesOnline: 100 previewPages: 10000 prePubGroup: dewey: @attributes: class: 792.82 item: 792 .82 lc: @attributes: class: GV1588.3 item: GV 1588 .3 artinfo: ui: 3704239 1378518094 formats: fmt: – @attributes: type: EB doid: NL$3704239$PDF caption: PDF download: Y – @attributes: type: EK doid: NL$3704239$EPUB caption: EPUB download: Y tig: atl: The Persistence of Dance : Choreography As Concept and Material in Contemporary Art ptl: The Persistence of Dance aug: au: Erin Brannigan su: Art and dance Choreography--History--20th century Choreography--History--21st century Modern dance--History--20th century Modern dance--History--21st century sug: subj: PERFORMING ARTS / General ART / History / 20th & 21st Century ART / Museum Studies PERFORMING ARTS / Dance / History & Criticism Art and dance Choreography--History--20th century Choreography--History--21st century Modern dance--History--20th century Modern dance--History--21st century ab: There is a category of choreographic practice with a lineage stretching back to mid-20th century North America that has re-emerged since the early 1990s: dance as a contemporary art medium. Such work belongs as much to the gallery as does video art or sculpture and is distinct from both performance art and its history as well as from theater-based dance. The Persistence of Dance: Choreography as Concept and Material in Contemporary Art clarifies the continuities and differences between the second-wave dance avant-garde in the 1950s‒1970s and the third-wave starting in the 1990s. Through close readings of key artists such as Maria Hassabi, Sarah Michelson, Boris Charmatz, Meg Stuart, Philipp Gehmacher, Adam Linder, Agatha Gothe-Snape, Shelley Lasica and Latai Taumoepeau, The Persistence of Dance traces the relationship between the third-wave and gallery-based work. Looking at these artists highlights how the discussions and practices associated with “conceptual dance” resonate with the categories of conceptual and post-conceptual art as well as with the critical work on the function of visual art categories. Brannigan concludes that within the current post-disciplinary context, there is a persistence of dance and that a model of post-dance exists that encompasses dance as a contemporary art medium. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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