Sounding Bodies : Acoustical Science and Musical Erotics in Victorian Literature

Shows how nineteenth-century discoveries in acoustical science shaped Victorian literary representations of gender, sexuality, and intimacy.Can the concert hall be as erotic as the bedroom? Many Victorian writers believed so. In the mid-nineteenth century, acoustical scientists such as Hermann von H...

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Detalles Bibliográficos
Autor principal: Shannon Draucker
Formato: Libro
Publicado: SUNY Press 2024
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Acceso en línea:Ver este registro en EBSCOhost
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        Eroticism in literature
        Music in literature
        English literature--19th century--History and criticism
        Human body in literature
        Queer theory
        Feminist theory
        Music--Physiological effect
      sug:
        subj:
          LITERARY CRITICISM / European / English, Irish, Scottish, Welsh
          MUSIC / History & Criticism
          SCIENCE / Acoustics & Sound
          SOCIAL SCIENCE / Gender Studies
          LITERARY CRITICISM / Modern / 19th Century
          Eroticism in literature
          Music in literature
          English literature--19th century--History and criticism
          Human body in literature
          Queer theory
          Feminist theory
          Music--Physiological effect
      ab: Shows how nineteenth-century discoveries in acoustical science shaped Victorian literary representations of gender, sexuality, and intimacy.Can the concert hall be as erotic as the bedroom? Many Victorian writers believed so. In the mid-nineteenth century, acoustical scientists such as Hermann von Helmholtz and John Tyndall described music as a set of physical vibrations that tickled the ear, excited the nerves, and precipitated muscular convulsions. In turn, writers-from canonical figures such as George Eliot and Thomas Hardy, to New Women novelists like Sarah Grand and Bertha Thomas, to anonymous authors of underground pornography-depicted bodily sensations and experiences in unusually explicit ways. These writers used scenes of music listening and performance to intervene in urgent conversations about gender and sexuality and explore issues of agency, pleasure, violence, desire, and kinship. Sounding Bodies shows how both classical music and Victorian literature, while often considered bastions of conservatism and repression, represented powerful sites for feminist and queer politics.This book is freely available in an open access edition thanks to the National Endowment for the Humanities Fellowships Open Book Program-a limited competition designed to make outstanding humanities books available to a wide audience. Learn more at the Fellowships Open Book Program at : https://www.neh.gov/grants/odh/FOBP/, and access the book online at the SUNY Open Access Repository at https://soar.suny.edu/handle/20.500.12648/14996.
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