Reading Digital Fiction : Narrative, Cognition, Mediality

Reading Digital Fiction offers the first comprehensive and systematic theoretical, methodological, and analytical examination of digital fiction from a cognitive and empirical perspective. Proposing the new concept of “medial reading”, it argues for the centrality of an audience's interest in, aware...

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Detalles Bibliográficos
Autores principales: Alice Bell, Astrid Ensslin
Formato: Libro
Publicado: Routledge 2024
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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          Astrid Ensslin
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          Alice Bell
          Astrid Ensslin
      su:
        Interactive multimedia--Psychological aspects
        Books and reading
        Hypertext fiction--History and criticism
        Narration (Rhetoric)--Psychological aspects
        Literature and technology
        Intermediality
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          LITERARY CRITICISM / Modern / 21st Century
          ART / Digital
          COMPUTERS / Interactive & Multimedia
          LITERARY CRITICISM / General
          LITERARY CRITICISM / Books & Reading
          SOCIAL SCIENCE / Media Studies
          Interactive multimedia--Psychological aspects
          Books and reading
          Hypertext fiction--History and criticism
          Narration (Rhetoric)--Psychological aspects
          Literature and technology
          Intermediality
      ab: Reading Digital Fiction offers the first comprehensive and systematic theoretical, methodological, and analytical examination of digital fiction from a cognitive and empirical perspective. Proposing the new concept of “medial reading”, it argues for the centrality of an audience's interest in, awareness of and/or attention to the medium in which a text is produced and received, and which we argue should be applied to reader data across media. The book analyses and theorises five generations of digital fiction and their reading including hypertext fiction, hypermedia fiction, narrative video games, app fiction, and virtual reality. It showcases medium- and platform-specific methods of qualitative reader response research across a variety of contexts and settings from screen-based and embodied interaction to gallery installation, and from reading group and individual interview to think-aloud methodologies. The book thus addresses the unique affordances of digital fiction reading by designing and reporting on new empirical studies focusing on hypertextuality, interactivity, immersion, as well as medium-specific forms of textual “you”, ontological ambiguity, reader orientation and empathy. In so doing, the book refines, critiques, and expands cognitive, transmedial, and empirical narratology and stylistics by placing the reader of these new narratives front and centre.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.
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