Dancing with the Modernist City : Metropolitan Dance Texts Around 1900

As the 20th century dawned, authors, artists, and filmmakers flocked to cities like Paris and Berlin for a chance to experience a bustling urban life and engage with other artists and intellectuals. Among them were German-speaking authors and filmmakers such as Harry Graf Kessler, Rainer Maria Rilke...

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Autor principal: Wesley Lim
Formato: Libro
Publicado: University of Michigan Press 2024
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Acceso en línea:Ver este registro en EBSCOhost
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      su:
        Sociology, Urban--19th century
        Dance--Social aspects--History and criticism--20th century
        Dance--Social aspects--History and criticism--19th century
        Cities and towns--Social aspects--20th century
        Cities and towns--Social aspects--19th century
        Sociology, Urban--20th century
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        subj:
          SOCIAL SCIENCE / General
          HISTORY / Europe / Germany
          HISTORY / Modern / 20th Century / General
          SOCIAL SCIENCE / LGBTQ+ Studies / General
          Sociology, Urban--19th century
          Dance--Social aspects--History and criticism--20th century
          Dance--Social aspects--History and criticism--19th century
          Cities and towns--Social aspects--20th century
          Cities and towns--Social aspects--19th century
          Sociology, Urban--20th century
      ab: As the 20th century dawned, authors, artists, and filmmakers flocked to cities like Paris and Berlin for a chance to experience a bustling urban life and engage with other artists and intellectuals. Among them were German-speaking authors and filmmakers such as Harry Graf Kessler, Rainer Maria Rilke, August Endell, Alfred Döblin, Else Lasker-Schüler, Segundo de Chomón, and the brothers Max and Emil Skladanowsky. In their writing and artistic work from that period, they depicted the perpetual influx of stimuli caused by urban life—including hordes of pedestrians, bustling traffic, and a barrage of advertisements—as well as how these encounters repeatedly paralleled their experiences of watching early twentieth-century dance performances by Loïe Fuller, Ruth St. Denis, and Vaslav Nijinsky. The convergence these writers and filmmakers saw between the unexpected encounters during their urban strolls and experimental dance performances led to writings that interwove the two motifs. Drawing on cultural, literary, dance, performance, and queer studies, Dancing with the Modernist City analyzes an array of material from 1896 to 1914—essays, novels, short stories, poetry, newspaper articles, photographs, posters, drawings, and early film. It argues that these writers and artists created a genre called the metropolitan dance text, which depicts dancing figures not on a traditional stage, but with the streets, advertising pillars, theaters, cafes, squares, and even hospitals of an urban setting. Breaking away from the historically male, heteronormative view, this posthumanist mode of writing highlights the visual and episodic unexpectedness of urban encounters. These literary depictions question traditional conceptualizations of space and performance by making the protagonist and the reader feel like they embody the dancer and the movement. In doing so, they upset the conventional depictions of performance and urban spaces in ways paralleling modern dance.
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    language: English
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