Collections As Relations : Contestations of Belonging, Cultural Heritage, and Knowledge Infrastructures

This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional n...

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Detalles Bibliográficos
Autores principales: Hansjörg Dilger, Barbara Göbel, Lars-Christian Koch, Stephanie Schütze, Alexis von Poser
Formato: Libro
Publicado: Routledge 2025
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Acceso en línea:Ver este registro en EBSCOhost
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          Barbara Göbel
          Lars-Christian Koch
          Stephanie Schütze
          Alexis von Poser
      sertl: Routledge Studies in Anthropology and Museums
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      aug:
        au:
          Hansjörg Dilger
          Barbara Göbel
          Lars-Christian Koch
          Stephanie Schütze
          Alexis von Poser
      su:
        Museum techniques
        Cultural property--Philosophy
        Museum objects
        Art objects
      sug:
        subj:
          SOCIAL SCIENCE / Anthropology / General
          Museum techniques
          Cultural property--Philosophy
          Museum objects
          Art objects
      ab: This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations. Relations—between and among objects and media, people, and material and immaterial contexts—define, configure, and potentially transform collection-related social and professional networks, discourses and practices, and increasingly museums and other collecting institutions themselves. The contributors argue that a focus on the—often contested—making and remaking of relations provides a unique conceptual entrypoint for understanding collections'—and ‘their'objects'and media's—complex histories, contemporary webs of interactions, and potential futures. The chapters examine the local, translocal, and transregional relations of collections with regard to their affective, aesthetic, performative, and socio-moral qualities and situate them in the larger geopolitical constellations of precolonial, colonial, and postcolonial settings. Together they investigate ongoing shifts in the relations of collections and collecting institutions by identifying alternative approaches to conceive of, and deal with, anthropological and global art collections, objects, and media in the future. The book is of interest to scholars from anthropology, global art history, museum studies, and heritage studies.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC BY-NC-ND) 4.0 license.
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    language: English
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