Performance as digital text: Capturing signals and secret messages in a media-rich experience.
As libraries increasingly undertake digitization projects, it behooves us to consider the collection/capture, organization, preservation, and dissemination of all forms of documentation, including and beyond written text. While several libraries have funded projects which acknowledge the need to dig...
| Publicado en: | Literary & Linguistic Computing Vol. 24; no. 2; pp. 153 - 161 |
|---|---|
| Autores principales: | , |
| Formato: | Artículo |
| Publicado: |
Oxford University Press / USA
Jun2009
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=42008283&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 42008283 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02681145 BJ1 jtl: Literary & Linguistic Computing issn: 02681145 maglogo: N pubinfo: dt: Jun2009 vid: 24 iid: 2 pid: 622 pub: Oxford University Press / USA artinfo: ui: 42008283 10.1093/llc/fqp012 ppf: 153 ppct: 8 formats: fmt: @attributes: type: P size: 551KB tig: atl: Performance as digital text: Capturing signals and secret messages in a media-rich experience. aug: au: Coartney, Jama S. Wiesner, Susan L. affil: Digital Media Laboratory, University of Virginia, charlottesville, VA, USA University Libraries, University of North Carolina, Greensboro, NC, USA su: Digitization of library materials Digital preservation Digital technology Dance Documentation University of Virginia sug: subj: Digitization of library materials Digital preservation Digital technology Dance Documentation University of Virginia ab: As libraries increasingly undertake digitization projects, it behooves us to consider the collection/capture, organization, preservation, and dissemination of all forms of documentation, including and beyond written text. While several libraries have funded projects which acknowledge the need to digitize other forms of text, few have extended the digital projects to include film, much less performed texts. Further, as more performing arts incorporate born-digital elements, use digital tools to create media-rich performance experiences, and look to the possibility for digital preservation of the performance text, the capture of the performance event and its born-digital artefacts must be considered. This article, then, presents a first look at the ARTeFACT project, undertaken at the University of Virginia Library in collaboration with an introductory course in Engineering and a student choreographer at Brenau University Women's College. Historical intersections of technology and dance are introduced, theoretical concerns of using technology in dance are considered, the processes involved in the creation, capture, and preservation of dance data are discussed along with the technologies used to produce an interactive dance performance. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: © 2019 EADH: The European Association for Digital Humanities. item: Literary & Linguistic Computing holder: Oxford University Press / USA dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
|---|