Sounding the Past
This volume offers the first systematic exploration of the past as manifested in music of the later Middle Ages and the early modern period. It takes the reader on a journey of discovery across the continent, from the genesis of a new sense of a musical past in early thirteenth-century Paris to the...
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Brepols Publishers
2020
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=4233284&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 4233284 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: Sounding the Past aug: au: Kügle, Karl (ED) sertl: Collection "Epitome Musical" isbn: 9782503588315 9782503589978 imageinfo: pubinfo: dt: @attributes: year: 2020 month: 01 day: 01 dtAvail: @attributes: year: 2025 month: 09 day: 23 pub: Brepols Publishers pubContract: Brepols Publishers place: Turnhout price: 0.01 limitsGroup: maxCheckoutDays: 1500 pda: N printPagesOffline: 100 printPagesOnline: 100 previewPages: 10000 prePubGroup: dewey: @attributes: class: 780 item: 780 lc: @attributes: class: ML240 .S67 2020 item: ML 240 .S67 2020 artinfo: ui: 4233284 1198372245 formats: fmt: @attributes: type: EB doid: NL$4233284$PDF caption: PDF download: Y tig: atl: Sounding the Past ptl: Sounding the Past aug: au: Kügle, Karl (ED) su: Music--Europe--History and criticism sug: subj: MUSIC / History & Criticism Music--Europe--History and criticism ab: This volume offers the first systematic exploration of the past as manifested in music of the later Middle Ages and the early modern period. It takes the reader on a journey of discovery across the continent, from the genesis of a new sense of a musical past in early thirteenth-century Paris to the complex and diverse roles and pedigrees given music of the past in sources, media, genres, communities, and regions in the Age of Reformations. Particular attention is given to the use of older styles and musical traditions in changing constructions of religious and political identity, laying the groundwork for a revised narrative of European music history that accommodates within its framework the full plurality of styles and regions found in the sources. The volume concludes with reflections on the conflicting appropriations and effects of the musical past today in composition, performance, musicological discourse, and tourism. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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