The Spectacle 2.0 : Reading Debord in the Context of Digital Capitalism
“Necessary reading for scholars interested in theorising the spectacle's relation to the labour theory of value, commodity fetishism and subjectivity under post-Fordism.” - https://www.triple-c.at/index.php/tripleC/article/view/1015/1176 Spectacle 2.0 recasts Debord's theory of spectacle within the...
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University of Westminster Press
2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=4242125&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 4242125 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: The Spectacle 2.0 : Reading Debord in the Context of Digital Capitalism aug: au: Marco Briziarelli Emiliana Armano sertl: CDSMS (Critical Digital and Social Media Studies) isbn: 9781911534440 9781911534464 imageinfo: pubinfo: dt: @attributes: year: 2017 month: 01 day: 01 dtAvail: @attributes: year: 2025 month: 08 day: 09 pub: University of Westminster Press pubContract: University of Michigan Press place: London price: 0.01 limitsGroup: maxCheckoutDays: 1500 pda: N printPagesOffline: 100 printPagesOnline: 100 previewPages: 10000 prePubGroup: dewey: @attributes: class: 303.484 item: 303 .484 lc: @attributes: class: HN440.R3 item: HN 440 .R3 artinfo: ui: 4242125 1030818925 formats: fmt: @attributes: type: EK doid: NL$4242125$EPUB caption: EPUB download: Y tig: atl: The Spectacle 2.0 : Reading Debord in the Context of Digital Capitalism ptl: The Spectacle 2.0 aug: au: Marco Briziarelli Emiliana Armano su: Social classes Spectacular, The Social psychology Capitalism sug: subj: SOCIAL SCIENCE / General POLITICAL SCIENCE / Political Economy SOCIAL SCIENCE / Media Studies PHILOSOPHY / Movements / Critical Theory Social classes Spectacular, The Social psychology Capitalism ab: “Necessary reading for scholars interested in theorising the spectacle's relation to the labour theory of value, commodity fetishism and subjectivity under post-Fordism.” - https://www.triple-c.at/index.php/tripleC/article/view/1015/1176 Spectacle 2.0 recasts Debord's theory of spectacle within the frame of 21st century digital capitalism. It offers a reassessment of Debord's original notion of Spectacle from the late 1960s, of its posterior revisitation in the 1990s, and it presents a reinterpretation of the concept within the scenario of contemporary informational capitalism and more specifically of digital and media labour. It is argued that the Spectacle 2.0 form operates as the interactive network that links through one singular (but contradictory) language and various imaginaries, uniting diverse productive contexts such as logistics, finance, new media and urbanism. Spectacle 2.0 thus colonizes most spheres of social life by processes of commodification, exploitation and reification. Diverse contributors consider the topic within the book's two main sections: Part I conceptualizes and historicizes the Spectacle in the context of informational capitalism; contributions in Part II offer empirical cases that historicise the Spectacle in relation to the present (and recent past) showing how a Spectacle 2.0 approach can illuminate and deconstruct specific aspects of contemporary social reality. All contributions included in this book rework the category of the Spectacle to present a stimulating compendium of theoretical critical literature in the fields of media and labour studies. In the era of the gig-economy, highly mediated content and President Trump, Debord's concept is arguably more relevant than ever. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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