Die Rezeption Salvador Dalís in der amerikanischen Kultur der Nachkriegszeit.

In light of Salvador Dalí's manifold activities during his sojourn in the United States, it seems surprising that so little scholarly attention has been devoted to the wide influence of Dalí's oeuvre on the American culture of the post-war period. This essay ventures to investigate the stylistic and...

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Published in:Zeitschrift für Katalanistik Vol. 21; pp. 197 - 217
Main Author: Morawietz, Eva
Format: Article
Published: Zeitschrift fur Katalanistik 2008
Subjects:
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        10.46586/zfk.2008.197-216
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        atl: Die Rezeption Salvador Dalís in der amerikanischen Kultur der Nachkriegszeit.
      aug:
        au: Morawietz, Eva
        affil: Universität Göttingen, Promotionskolleg der VWStiftung „Wertung und Kanon", Kreuzbergring 50, D-37073 Göttingen
      su:
        Artists' writings
        Dalí, Salvador, 1904-1989
        Postmodernism (Philosophy)
        Assemblage (Art)
        Eclecticism in art
        Paranoia in art
        Pynchon, Thomas, 1937-
        United States
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        subj:
          United States
          Artists' writings
          Dalí, Salvador, 1904-1989
          Postmodernism (Philosophy)
          Assemblage (Art)
          Eclecticism in art
          Paranoia in art
          Pynchon, Thomas, 1937-
      keyword:
        American Postmodernism
        assemblage
        Dalí
        eclecticism
        intermediality
        paranoia
        paratext
        Pynchon
        Surrealism
      ab:
        In light of Salvador Dalí's manifold activities during his sojourn in the United States, it seems surprising that so little scholarly attention has been devoted to the wide influence of Dalí's oeuvre on the American culture of the post-war period. This essay ventures to investigate the stylistic and thematic impact of his imagery and his theoretical writings on the culture of Postmodernism, and more specifically, on postmodern American literature, exemplified in the works of Thomas Pynchon. After a brief overview of Dalí's activities in the United States and of general common ground of his work with the culture and thought of Postmodernism, this article discusses his use of stylistic techniques, e.g. assemblage and eclecticism, as well as the assumed implications for Pynchon's postmodern aesthetics. The main focus will then be put on a discussion of Dalí's and Pynchon's constructions of paranoia.
        Si ens fixem en les múltiples activitats de Salvador Dalí durant la seva estada als Estats Units d'Amèrica, sorprèn la poca atenció acadèmica que s'ha dedicat a la influència que Dalí exercí en la cultura americana de la postguerra. Aquest estudi investiga l'impacte estilístic i temàtic del seu imaginari i dels seus escrits teòrics en la cultura del postmodernisme i, més concretament, en la literatura postmodernista americana, exemplificada amb obres de Thomas Pynchon. Després d'un breu resum de les activitats de Dalí als EUA i d'una posada en comú del seu treball envers la cultura i el pensament del postmodernisme, l'article tracta l'ús de tècniques estilístiques, com per exemple l'acoblament i l'eclecticisme, així com les implicacions assumides de l'estètica postmodernista de Pinchon. Llavors es centrarà en la discussió sobre les construccions de la paranoia de Dalí i Pynchon.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: German
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