The Black Box Book : Archives and Curatorship in the Age of Transformation of Art Institutions

The publication is the result of the efforts of an international collective of authors to capture the transformation of exhibition institutions and curation during the Covid 19 pandemic, with a focus on the year 2020. It seeks an answer to the question of how curatorial strategies, communication pla...

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Detalles Bibliográficos
Autores principales: Horáková, Jana, Kupková, Marika, Szűcsová, Monika, Ghidini, Marialaura, Tedone, Gaia, Hunter, Roddy, Cook, Sarah, Klodner, Michal, Sudmann, Andreas, Trnková, Barbora, Pilka, Lukáš, Sikora, Pavel, Miklánek, Štěpán, Matějová, Alina, Staša, Oliver, Ubermorgen
Formato: Libro
Publicado: Masaryk University 2023
Acceso en línea:Ver este registro en EBSCOhost
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          Horáková, Jana
          Kupková, Marika
          Szűcsová, Monika
          Ghidini, Marialaura
          Tedone, Gaia
          Hunter, Roddy
          Cook, Sarah
          Klodner, Michal
          Sudmann, Andreas
          Trnková, Barbora
          Pilka, Lukáš
          Sikora, Pavel
          Miklánek, Štěpán
          Matějová, Alina
          Staša, Oliver
          Ubermorgen,
      isbn: 9788028002251
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          year: 2023
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      pub: Masaryk University
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      aug:
        au:
          Horáková, Jana
          Kupková, Marika
          Szűcsová, Monika
          Ghidini, Marialaura
          Tedone, Gaia
          Hunter, Roddy
          Cook, Sarah
          Klodner, Michal
          Sudmann, Andreas
          Trnková, Barbora
          Pilka, Lukáš
          Sikora, Pavel
          Miklánek, Štěpán
          Matějová, Alina
          Staša, Oliver
          Ubermorgen,
      sug:
        subj: ART / Collections, Catalogs, Exhibitions / General
      ab: The publication is the result of the efforts of an international collective of authors to capture the transformation of exhibition institutions and curation during the Covid 19 pandemic, with a focus on the year 2020. It seeks an answer to the question of how curatorial strategies, communication platforms and the social function of exhibition institutions have changed under the influence of rapid and external circumstances, that forced transition from physical gallery spaces to online. It critically reflects on the exhibition project Černá skříňka/The Black Box (Galerie TIC), in which several curatorial approaches were applied, including the use of artificial intelligence, and places it in the broad context of curatorial projects that were carried out at the same time at home and abroad as well as in the network of terminology apparatus, which is built around the phenomenon of online curation. The research method is a combination of writing the history of presence, mostly from the pen of direct participants, which lends authenticity and engagement to the texts, with theoretical reflection informed by digital and network media theory.
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