How Film Histories Were Made : Materials, Methods, Discourses
This book is specifically dedicated to film history's own history: It provides insights into the fabrication of film histories and the discourses on their materials and methods in the past in order to better understand and reconsider film history today. The interventions unpack unspoken assumptions...
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Routledge
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=4325019&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 4325019 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: How Film Histories Were Made : Materials, Methods, Discourses aug: au: Malte Hagener Yvonne Zimmermann sertl: Film Culture in Transition isbn: 9781041181040 9789463724067 9781003697527 9781040792940 9781040798737 imageinfo: pubinfo: dt: @attributes: year: 2025 month: 01 day: 01 pub: Routledge pubContract: Taylor & Francis (Unlimited) place: Oxford price: 0.01 limitsGroup: maxCheckoutDays: 1500 copyPages: -1 pda: N printPagesOffline: 60 printPagesOnline: 60 previewPages: 10000 artinfo: ui: 4325019 1386282576 formats: fmt: – @attributes: type: EB doid: NL$4325019$PDF caption: PDF download: Y – @attributes: type: EK doid: NL$4325019$EPUB caption: EPUB download: Y tig: atl: How Film Histories Were Made : Materials, Methods, Discourses ptl: How Film Histories Were Made aug: au: Malte Hagener Yvonne Zimmermann sug: subj: HISTORY / Historiography SOCIAL SCIENCE / Media Studies PERFORMING ARTS / Film / Genres / Historical ab: This book is specifically dedicated to film history's own history: It provides insights into the fabrication of film histories and the discourses on their materials and methods in the past in order to better understand and reconsider film history today. The interventions unpack unspoken assumptions and hidden agendas that determine film historiography until today, also with the aim to act as a critical reflection on the potential future orientation of the field. The edited volume proposes a transnational, entangled and culturally diverse approach towards an archaeology of film history, while paying specific attention to persons, objects, infrastructures, regions, institutional fields and events hitherto overlooked. It explores past and ongoing processes of doing, undoing and redoing film history. Thereby, in a self-reflective gesture, it also draws attention to our own work as film historians. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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