Spaces : Exploring Spatial Experiences of Representation and Reception in Screen Media
Film has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion a...
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Routledge
2025
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=4325081&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 4325081 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: Spaces : Exploring Spatial Experiences of Representation and Reception in Screen Media aug: au: Ian Christie sertl: The Key Debates: Mutations and Appropriations in European Film Studies isbn: 9781041186502 9789048563265 9781003704195 9781040773659 9781040782361 imageinfo: pubinfo: dt: @attributes: year: 2025 month: 01 day: 01 ed: 1 pub: Routledge pubContract: Taylor & Francis (Unlimited) place: [S.l.] price: 0.01 limitsGroup: maxCheckoutDays: 1500 copyPages: -1 pda: N printPagesOffline: 60 printPagesOnline: 60 previewPages: 10000 artinfo: ui: 4325081 1543043251 formats: fmt: – @attributes: type: EB doid: NL$4325081$PDF caption: PDF download: Y – @attributes: type: EK doid: NL$4325081$EPUB caption: EPUB download: Y tig: atl: Spaces : Exploring Spatial Experiences of Representation and Reception in Screen Media ptl: Spaces aug: au: Ian Christie sug: subj: ART / Film & Video PERFORMING ARTS / Film / General ART / Environmental & Land Art ab: Film has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion and paradox has been greatly expanded – by the predominance of domestic film viewing, along with new extra-terrestrial perspectives, and the promise of novel kinesthetic experiences with Virtual Reality and “immersion”. The international authors in this collection address the history and aesthetics of screen media as spatial transposition, in a range of exemplary analyses that run from the landscapes of John Ford's westerns to Chantal Akerman's claustrophobic domestic spaces, from the conventions of the English country house film to Patrick Keiller's Robinson roaming a changed country, and from the experiences of Covid pandemic confinement to those of un-homed van-dwellers in Chloe Zhao's award-winning NOMADLAND. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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