Passing-over: The Death of the Author in Hegel's Philosophy.
Criticism of Hegel has been a central preoccupation of "postmodern" philosophy, from critical theory and deconstruction to Lacanian psychoanalytic theory and Foucauldian "archaeology." One of the most frequent criticisms is that Hegel's invocation of "absolute knowledge" installs him in a position o...
| Publicado en: | Southern Journal of Philosophy Vol. 47; no. 1; pp. 25 - 48 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Wiley-Blackwell
Spring2009
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=43278565&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 43278565 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00384283 2GW jtl: Southern Journal of Philosophy issn: 00384283 maglogo: Y pubinfo: dt: Spring2009 vid: 47 iid: 1 pid: 480 pub: Wiley-Blackwell artinfo: ui: 43278565 10.1111/j.2041-6962.2009.tb00130.x ppf: 25 ppct: 23 formats: fmt: @attributes: type: P size: 186KB tig: atl: Passing-over: The Death of the Author in Hegel's Philosophy. aug: au: Berthold, Daniel affil: Bard College su: Postmodernism (Philosophy) Wisdom Theory of knowledge Critical theory Philosophical research sug: subj: Postmodernism (Philosophy) Wisdom Theory of knowledge Critical theory Philosophical research ab: Criticism of Hegel has been a central preoccupation of "postmodern" philosophy, from critical theory and deconstruction to Lacanian psychoanalytic theory and Foucauldian "archaeology." One of the most frequent criticisms is that Hegel's invocation of "absolute knowledge" installs him in a position of authorial arrogance, of God-like authority, leaving the reader in a position of subservience to the Sage's perfect wisdom. The argument of this article is that this sort of criticism is profoundly ironic, since Hegel's construction of the role of the Sage possessing absolute knowledge is in fact an elaborate mask covering over a radical project of disappearance of the author by which it becomes the reader who is left to author the text. The article explores Hegel's commitment to his own death as an author in his invention of a new method of demonstration, his epistemology, his philosophy of language, his theory of desire, and even in the seemingly least likely place of all, his portrait of "absolute knowledge." pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Southern Journal of Philosophy is the property of Wiley-Blackwell and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Southern Journal of Philosophy holder: Wiley-Blackwell dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
|---|