Gerardo Diego's "Heterocronismo" and the Avant-Garde: "Imagen" and "Manual de espumas."
Spanish poet Gerardo Diego chafed against orthodox "Creacionismo," one of the major twentieth-century avant-garde poetic movements in Spain and Latin America, as it was conceived by its Chilean leader, Vicente Huidobro. Diego argued for the loosening of "Creacionismo" poetry's architectonic structur...
| Published in: | Hispanic Review Vol. 77; no. 3; pp. 339 - 368 |
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| Format: | Literary Criticism |
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University of Pennsylvania Press
Summer2009
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=43402534&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 43402534 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00182176 HIR jtl: Hispanic Review issn: 00182176 maglogo: N pubinfo: dt: Summer2009 vid: 77 iid: 3 pid: 4636 pub: University of Pennsylvania Press artinfo: ui: 43402534 ppf: 339 ppct: 29 formats: fmt: @attributes: type: P size: 146KB tig: atl: Gerardo Diego's "Heterocronismo" and the Avant-Garde: "Imagen" and "Manual de espumas." aug: au: Silverman, Renée M. affil: Florida International University su: Diego, Gerardo, 1896-1987 20th century poetry Literary style Experimental poetry 20th century Spanish poetry Creationism (Literary movement) Experimental literature Avant-garde (Arts) Huidobro, Vicente, 1893-1948 Larrea, Juan, 1895-1980 sug: subj: Diego, Gerardo, 1896-1987 20th century poetry Literary style Experimental poetry 20th century Spanish poetry Creationism (Literary movement) Experimental literature Avant-garde (Arts) Huidobro, Vicente, 1893-1948 Larrea, Juan, 1895-1980 ab: Spanish poet Gerardo Diego chafed against orthodox "Creacionismo," one of the major twentieth-century avant-garde poetic movements in Spain and Latin America, as it was conceived by its Chilean leader, Vicente Huidobro. Diego argued for the loosening of "Creacionismo" poetry's architectonic structures, in order that the music of lyric might sound through. In the volumes "Imagen" and "Manual de espumas," as well as in correspondence with poet Juan Larrea, one of Spain's prominent adherents to the "Creacionismo" movement, he articulates his at once avant-garde and profoundly lyric poetic. The temporal character of Diego's musical lyric, defined by remembered fragments in rhythmic patterns and figures such as the refrain, brings memory and the subjectivity linked with remembrance back to the fore of vanguard poetry. At the same time, his use of musicopoetic figures reinforces avant-garde poetry's architecture and serves as a reminder of poetic form's dual function—lyric melody and harmonic structure. pubtype: Academic Journal doctype: Literary Criticism src: R language: Spanish refInfo: copyright: @attributes: flag: Y custom: Copyright of Hispanic Review is the property of University of Pennsylvania Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Hispanic Review holder: University of Pennsylvania Press dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
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