DICTADURA MILITAR EN CHILE: Antecedentes del golpe estético-cultural.
The military regime (1973-1990) has been researched from a variety of perspectives: political, judicial, institutional, economic, human rights, and media, among others. However, there have been few studies regarding the changes and transformations undergone by day-to-day aesthetics as a result of th...
| Publicado en: | Latin American Research Review Vol. 44; no. 2; pp. 136 - 158 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Cambridge University Press
2009
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=43417841&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 43417841 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 00238791 LAR jtl: Latin American Research Review issn: 00238791 maglogo: N pubinfo: dt: 2009 vid: 44 iid: 2 pid: 15979 pub: Cambridge University Press artinfo: ui: 43417841 ppf: 136 ppct: 22 formats: fmt: @attributes: type: P size: 1.4MB tig: atl: DICTADURA MILITAR EN CHILE: Antecedentes del golpe estético-cultural. aug: au: Errázuriz, Luis Hernán affil: Pontificia Universidad Católica de Chile. su: Chile Unidad Popular Military government Coups d'état Political change Social change Dictatorship Chilean politics & government, 1973-1988 Coup d'état, Chile, 1973 sug: subj: Military government Coups d'état Political change Social change Dictatorship Chile Unidad Popular Chilean politics & government, 1973-1988 Coup d'état, Chile, 1973 ab: The military regime (1973-1990) has been researched from a variety of perspectives: political, judicial, institutional, economic, human rights, and media, among others. However, there have been few studies regarding the changes and transformations undergone by day-to-day aesthetics as a result of the dictatorship, nor have there been studies about those cultural activities and/or artistic expressions that the military regime fostered or supported. Analyzed as a whole, these could account for the traits that characterized the regime's symbolic production, whether by promoting particular worldviews, rites, and sensibilities or by repressing those practices and imaginaries characteristic of the democratic system. This article focuses on the historical background of the aesthetic coup that took place in Chile between 1973 and 1975, as a consequence of the military coup of September 11, 1973. The term aesthetic coup symbolizes the process of change and transformation that took place in daily life and that resulted from the break with the sociocultural project of the Unidad Popular (Popular Unity, UP). pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
|---|