HOLOGRAPHIC PORTRAITURE OF HUMANS, PLANTS AND GHOSTS IN BELGIUM.
The author describes his efforts to bring holography ad its artistic applications out of the realm of mystery or curiosity. Three areas of the author's involvement are treated: first, how holographic portraits were successfully made in situ during a technology convention (it is believed that this wa...
| Publicado en: | Revista Cubana de Física Vol. 22; no. 1; pp. 18 - 23 |
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| Autor principal: | |
| Formato: | Artículo |
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Universidad de La Habana
2005
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The author describes his efforts to bring holography ad its artistic applications out of the realm of mystery or curiosity. Three areas of the author's involvement are treated: first, how holographic portraits were successfully made in situ during a technology convention (it is believed that this was a world's first); second, how holograms of simple vegetal objects, viewable under normal lighting conditions, are being used to bring holography to a larger audience; finally, how collaboration between technicians and artists can lead to results that are satisfying and enriching for both parties. El autor describe sus esfuerzos para sacar la holografía y sus aplicaciones artísticas del mundo de lo misterioso, o de lo curioso. Se tratan tres áreas de su labor. Primero, como se lograron exitosamente los retratos holográficos en una convención de Tecnología (probablemente por primera vez en el mundo). Segundo, como los hologramas de objetos vegetales simples, visibles bajo la luz normal, se pueden usar para llevar la holografía a una audiencia mayor. Finalmente, como la colaboración entre técnicos y artistas puede conducir a productos altamente satisfactorios para ambas partes. |
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