Reportage in the Chinese-Speaking World

Reportage in the Chinese-Speaking World examines reportage as an important aesthetic form of cultural production in the Sinophone world. Originating as a proletarian nonfiction form in interwar Europe, reportage spread around the world, coming into its own in the Sinophone world from the 1930s to to...

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Detalles Bibliográficos
Autores principales: Charles A. Laughlin, Li Guo
Formato: Libro
Publicado: University of Michigan Press 2026
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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          Li Guo
      sertl: China Understandings Today
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          Charles A. Laughlin
          Li Guo
      su:
        Reporters and reporting--China
        Mass media and culture--China
        Reportage literature, Chinese--History and criticism
      sug:
        subj:
          HISTORY / General
          HISTORY / Asia / China
          LANGUAGE ARTS & DISCIPLINES / Journalism
          LITERARY CRITICISM / Asian / Chinese
          Reporters and reporting--China
          Mass media and culture--China
          Reportage literature, Chinese--History and criticism
      ab: Reportage in the Chinese-Speaking World examines reportage as an important aesthetic form of cultural production in the Sinophone world. Originating as a proletarian nonfiction form in interwar Europe, reportage spread around the world, coming into its own in the Sinophone world from the 1930s to today. Going beyond fact-based journalism, reportage is pursued through a variety of artistic forms and media, from nonfiction writing to photography to documentary film. Reportage's plurimedial representations facilitate and amplify intersectional struggles against multiple forms of social and political oppression. Engaging its audiences in affective ethico-political exchanges with (human or nonhuman) subjects, reportage promotes audiences'empathetic responses to the democratic appeals of marginalized groups whose status, identity, or situation manifest emergent ethical challenges in the society of their time. This work offers new understandings of reportage's dialectical relationship with its readership by evoking sympathetic identifications with personal contemplations of place, hearth, and senses of belonging. Covering a breadth of media across mainland China, Taiwan, and the Sinophone diaspora in the United States and Japan, this book examines how intermediality cultivates distinctive expressions in reportage, cross-cultural empathy, and ethico-political relationships between the reporter, photographer, filmmaker, and their surroundings.
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    language: English
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