The Visual Trajectory of José Juan Tablada.

A critique is presented of visual poems such as "Impresión de la Habana," "El puñal," and "Talon rouge" by early 20th century Mexican American poet José Juan Tablada. Avant-garde poetry, Tablada's calligram poems, and his influence from French poetry are discussed, as well as his association with au...

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Publicado en:Hispanic Review Vol. 69; no. 2; pp. 191 - 209
Autor principal: Bohn, Willard
Formato: Artículo
Publicado: University of Pennsylvania Press Spring2001
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        Impresión de la Habana (Poem)
        El puñal (Poem)
        Talon rouge (Poem)
        Tablada, José Juan, 1871-1945
        Mexican American poetry
        Mexican poetry
        Experimental poetry
        De Zayas, Marius
        Visual poetry
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          Impresión de la Habana (Poem)
          El puñal (Poem)
          Talon rouge (Poem)
          Tablada, José Juan, 1871-1945
          Mexican American poetry
          Mexican poetry
          Experimental poetry
          De Zayas, Marius
          Visual poetry
      ab: A critique is presented of visual poems such as "Impresión de la Habana," "El puñal," and "Talon rouge" by early 20th century Mexican American poet José Juan Tablada. Avant-garde poetry, Tablada's calligram poems, and his influence from French poetry are discussed, as well as his association with author Marius de Zayas in New York City.
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