Music and Motion – Interweaving Artistic Practice and Theory in Dance and Beyond
How are music/sound and dance/movement interwoven in artistic processes? What kinds of models can be identified when studying the relations between them, and which aesthetic intentions correspond to them? Based on these questions, the contributors to this volume map a wide range of performances from...
| Autor principal: | |
|---|---|
| Formato: | Libro |
| Publicado: |
mdwPress
2025
|
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=4385726&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 4385726 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: Music and Motion – Interweaving Artistic Practice and Theory in Dance and Beyond aug: au: Stephanie Schroedter sertl: MdwPress isbn: 9783837656114 9783732800001 9783839400258 imageinfo: pubinfo: dt: @attributes: year: 2025 month: 01 day: 01 vid: 00010 ed: Auflage - Neueauflage pub: mdwPress pubContract: Transcript Verlag place: [N.p.] price: 0.01 limitsGroup: maxCheckoutDays: 1500 pda: N printPagesOffline: 100 printPagesOnline: 100 previewPages: 10000 artinfo: ui: 4385726 1572702086 formats: fmt: – @attributes: type: EB doid: NL$4385726$PDF caption: PDF download: Y – @attributes: type: EK doid: NL$4385726$EPUB caption: EPUB download: Y tig: atl: Music and Motion – Interweaving Artistic Practice and Theory in Dance and Beyond ptl: Music and Motion – Interweaving Artistic Practice and Theory in Dance and Beyond aug: au: Stephanie Schroedter sug: subj: MUSIC / History & Criticism PERFORMING ARTS / Dance / History & Criticism ab: How are music/sound and dance/movement interwoven in artistic processes? What kinds of models can be identified when studying the relations between them, and which aesthetic intentions correspond to them? Based on these questions, the contributors to this volume map a wide range of performances from different genres and styles, including those that transcend the stage. The aim is to discuss relationships between music, its physicality, and moving bodies in artistic practice. In doing so, they respond to a theoretical challenge: to conceptualize music as an invisible but audible motion from the perspective of perception and on the basis of visible movements that can be staged, choreographed, or improvised. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
|---|