Sonic Poetry : Technological Methods As Creative Practice
This interdisciplinary study focuses on sonic poetry, an experimental artistic practice in the post-digital era. It discusses a transmedial, language-based sound art, according to literary concepts, as well as media theory, linguistics, and sound studies. The book explores how digital and media tech...
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De Gruyter
2026
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=4388226&site=ehost-live header: @attributes: shortDbName: nlebk uiTerm: 4388226 longDbName: eBook Collection (EBSCOhost) uiTag: AN controlInfo: bkinfo: btl: Sonic Poetry : Technological Methods As Creative Practice aug: au: Marc Matter sertl: Poetry in the Digital Age isbn: 9783112225523 9783112225530 9783112225547 imageinfo: pubinfo: dt: @attributes: year: 2026 month: 01 day: 01 ed: 1ST ED pub: De Gruyter pubContract: De Gruyter place: BERLIN price: 0.01 limitsGroup: maxCheckoutDays: 1500 pda: N printPagesOffline: 100 printPagesOnline: 100 previewPages: 10000 prePubGroup: dewey: @attributes: class: 809.19356 item: 809 .19356 artinfo: ui: 4388226 1559102787 formats: fmt: – @attributes: type: EB doid: NL$4388226$PDF caption: PDF download: Y – @attributes: type: EK doid: NL$4388226$EPUB caption: EPUB download: Y tig: atl: Sonic Poetry : Technological Methods As Creative Practice ptl: Sonic Poetry aug: au: Marc Matter su: Poetry--History and criticism Literature and technology sug: subj: LITERARY CRITICISM / Semiotics & Theory Poetry--History and criticism Literature and technology ab: This interdisciplinary study focuses on sonic poetry, an experimental artistic practice in the post-digital era. It discusses a transmedial, language-based sound art, according to literary concepts, as well as media theory, linguistics, and sound studies. The book explores how digital and media technologies shape the creation of experimental sound works. Offering a framework, it categorizes the large variety of production methods applied by artists, such as editing, mixing, sampling, and coding. Drawing on literary concepts like electroacoustic poetry or audioliterary writing, it introduces a theory of expanded semantics to analyze the intricate interplay between sound and meaning. Four in-depth case studies of works by Alessandro Bosetti, Dagmara Kraus, Jörg Piringer, and Anja Utler, reveal how artists engage in a dynamic and reciprocal relationship with technology – transforming it from a mere tool into an active collaborator in the creative process. This book aims to fill a gap by reconstructing the evolution of poetry related to sound, media, and technology. Providing compelling insights into the innovative tendencies of artistic production, it also sheds light on issues of culture and society in the twenty-first century. pubtype: eBook doctype: Book ougenre: Book language: English copyright: @attributes: flag: N copyrightText: holdings: @attributes: islocal: N |
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