Pre-Raphaelite Typology.
In recent decades, typology has come to be recognized as a major component of Pre-Raphaelite aesthetics. Beginning with a reconsideration of the impact of John Ruskin's "Modern Painters," this article theorizes the typological dimensions of works by William Holman Hunt, John Everett Millais, Dante G...
| Publicado en: | University of Toronto Quarterly Vol. 78; no. 3; pp. 821 - 851 |
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| Autor principal: | |
| Formato: | Literary Criticism |
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University of Toronto Press
Summer2009
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=43975458&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 43975458 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00420247 UTQ jtl: University of Toronto Quarterly issn: 00420247 maglogo: Y pubinfo: dt: Summer2009 vid: 78 iid: 3 pid: 678 pub: University of Toronto Press artinfo: ui: 43975458 10.3138/UTQ.78.3.821 ppf: 821 ppct: 30 formats: fmt: – @attributes: type: T – @attributes: type: P size: 193KB tig: atl: Pre-Raphaelite Typology. aug: au: Bentley, D. M. R. affil: University of Western Ontario su: Pre-Raphaelites Painters Psychological typologies Pre-Raphaelitism Ruskin, John, 1819-1900 Rossetti, Dante Gabriel, 1828-1882 Modern Painters (Book : Ruskin) Millais, John Everett, Sir, 1829-1896 sug: subj: Pre-Raphaelites Painters Psychological typologies Pre-Raphaelitism Ruskin, John, 1819-1900 Rossetti, Dante Gabriel, 1828-1882 Modern Painters (Book : Ruskin) Millais, John Everett, Sir, 1829-1896 ab: In recent decades, typology has come to be recognized as a major component of Pre-Raphaelite aesthetics. Beginning with a reconsideration of the impact of John Ruskin's "Modern Painters," this article theorizes the typological dimensions of works by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, and other members of the Pre-Raphaelite circle as tiers in a radial category with scriptural typology at its core. Among the artistic and literary works considered in detail are Hunt's "The Scapegoat," Millais' "The Return of the Dove to the Ark," Rossetti's 'Ave,' and James Collinson's 'The Child Jesus.' Detailed consideration is also given to Rossetti's artistic manifestos, 'Hand and Soul' and 'Old and New Art,' as reflections of a mixture of ideas derived from sources that include British-American transcendentalism as well as typology. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of University of Toronto Quarterly is the property of University of Toronto Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: University of Toronto Quarterly holder: University of Toronto Press dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
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