Electronic Enlightenment or the Digital Dark Age? Anticipating Film in an Age Without Film.
The article discusses the distribution and exhibition of commercially produced moving images through impending obsolescence of photographic film. It notes an argument that the distribution will urge critics, scholars, and archivists to address the technical specificity of moving image media. It ment...
| Publicado en: | Quarterly Review of Film & Video Vol. 26; no. 5; pp. 415 - 425 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Oct2009
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| Acceso en línea: | Ver este registro en EBSCOhost |
| Sumario: | The article discusses the distribution and exhibition of commercially produced moving images through impending obsolescence of photographic film. It notes an argument that the distribution will urge critics, scholars, and archivists to address the technical specificity of moving image media. It mentions considerations to the cultural status and meaning of the product itself commenting on the contribution of the word "film" to a gradual transition form referring to a specific form of photochemical imaging technology. |
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