Exit of a Hero : Photography and the Visual Culture of Commemoration in Southern Nigeria

In Exit of a Hero, Okechukwu Nwafor explores the cultural, political, and socioeconomic implications of photography in commemorative practices in southern Nigeria from the nineteenth century to the present. Focusing on obituary and commemorative photographs of late nineteenth and early twentieth-cen...

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Autor principal: Okechukwu Nwafor
Formato: Libro
Publicado: University of Michigan Press 2026
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Acceso en línea:Ver este registro en EBSCOhost
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      su:
        Igbo (African people)--Funeral customs and rites
        Igbo (African people)--History--Obituaries
        Igbo (African people)--Social life and customs
        Postmortem photography--History--Nigeria, Sout
        Death--Anthropological aspects--Nigeria, South
        Memorialization--History--Nigeria, Southern
        Memorial rites and ceremonies--History--Nigeri
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        subj:
          ART / General
          ART / African
          HISTORY / Africa / West
          PHOTOGRAPHY / History
          SOCIAL SCIENCE / Death & Dying
          Igbo (African people)--Funeral customs and rites
          Igbo (African people)--History--Obituaries
          Igbo (African people)--Social life and customs
          Postmortem photography--History--Nigeria, Sout
          Death--Anthropological aspects--Nigeria, South
          Memorialization--History--Nigeria, Southern
          Memorial rites and ceremonies--History--Nigeri
      ab: In Exit of a Hero, Okechukwu Nwafor explores the cultural, political, and socioeconomic implications of photography in commemorative practices in southern Nigeria from the nineteenth century to the present. Focusing on obituary and commemorative photographs of late nineteenth and early twentieth-century Lagos to contemporary funeral posters, booklets, and social media posts, Nwafor tracks the historical evolution of the iconic and heroic image. He argues that the quest to produce an ideal memorial body is not just a personal aesthetic choice but a deliberate photographic project that resonates with the Igbo aspirations for heroic achievement. Exit of a Hero asserts that the visual canonization transforms the deceased from a fallible being to an unimpeachable character who transcends underachievement, imperfection, and failed social performance to emerge as a saintly icon of the Igbo public sphere. In seeking an alternative, hyper-visible public self, social media reclaims the lost hero image of the deceased, reconstituting the contested Igbo public space as a lived reality where heroes and icons are actively and eternally commemorated. Nwafor unveils the creative imaginations of colonial subjects and postcolonial citizens as memorialization has become entangled within the intersecting discursive spaces of print culture and the public sphere.
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