Olof Åhlström and Popular Music-Making in Eighteenth-Century Sweden.

The article focuses on Olof Åhlström, a Swedish musician during the Gustavian period. Olof's immortality is attributed by the author to the publication of Bellman's "Fredmans epistlar" and "Fredman sånger." Åhlström was an organist at Mariakyrkan in Stockholm, Sweden and composer of chamber music, t...

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Publicado en:Scandinavian Studies Vol. 81; no. 1; pp. 73 - 95
Autor principal: Swanson, Alan
Formato: Artículo
Publicado: University of Wisconsin Press Spring2009
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Swanson, Alan
        affil: University of Groningen
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        ̊Ahlström, Olof
        Musicians
        Composers
        Music publishers
        Music publishing
        Sweden
      sug:
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          Sweden
          ̊Ahlström, Olof
          Musicians
          Composers
          Music publishers
          Music publishing
      ab: The article focuses on Olof Åhlström, a Swedish musician during the Gustavian period. Olof's immortality is attributed by the author to the publication of Bellman's "Fredmans epistlar" and "Fredman sånger." Åhlström was an organist at Mariakyrkan in Stockholm, Sweden and composer of chamber music, theater music, and songs at Jakobskyrkan, also in Sweden. As a composer and publisher, Åhlström understood the potential market beyond the bookstalls where selling music was done. The author highlighted Olof's entrepreneurial skills which helped him acquire a monopoly on printing music. He published two musical journals and one of them was "Musikaliskt tidsfordrif" which appeared in 59 issues from 1789 to 1834.
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