Suddenness: On Rapid Knowledge.

How are poetic ideas thought up? This paper is part of a broader project on the relations between poetry and knowledge. I have been interviewing contemporary Australian poets to find out how knowledge processes pertain to their work. In the process I've learnt some surprising things - such as the fa...

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Detalles Bibliográficos
Publicado en:New Writing: The International Journal for the Practice & Theory of Creative Writing Vol. 5; no. 3; pp. 179 - 196
Autor principal: Magee, Paul
Formato: Artículo
Publicado: Taylor & Francis Ltd 2008
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Acceso en línea:Ver este registro en EBSCOhost
Descripción
Sumario:How are poetic ideas thought up? This paper is part of a broader project on the relations between poetry and knowledge. I have been interviewing contemporary Australian poets to find out how knowledge processes pertain to their work. In the process I've learnt some surprising things - such as the fact that most of my subjects have described experiences of composing at speeds where it is simply too fast to think. Indeed, a majority have stated that rapid and unpremeditated composition is their dominant mode of producing. In this paper, I contrast my findings, and those of prior writers on the topic of rapid knowledge (Kleist, Wordsworth, Auden, Heidegger), with the recent neurological research of Antonio Damasio. Damasio postulates that human decision-making is in general conducted at speeds that are too fast to be fully conscious. In the process, Damasio offers interesting possibilities for hypothesising the pre-conscious mechanisms that poets draw upon when the words come into their heads.