Contesting the digital economy and culture: digital technologies and the transformation of popular music in Korea.
This paper examines the changes brought by digital technologies in the cultural economy of music in Korea. First, I look at how digital technologies forced the reorganization of the music industry. The dominant technological mediation of the 'idol star system' in the late 1990s gave way to industria...
| Publicado en: | Inter-Asia Cultural Studies Vol. 10; no. 4; pp. 489 - 507 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Dec2009
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=45222165&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 45222165 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14649373 B8U jtl: Inter-Asia Cultural Studies issn: 14649373 maglogo: N pubinfo: dt: Dec2009 vid: 10 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 45222165 10.1080/14649370903166143 ppf: 489 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 167KB tig: atl: Contesting the digital economy and culture: digital technologies and the transformation of popular music in Korea. aug: au: Lee, Jung‐yup su: Digital technology Popular music Information & communication technologies Cultural industries Technology in popular culture Korea sug: subj: Korea Digital technology Popular music Information & communication technologies Cultural industries Technology in popular culture keyword: digital economy and culture intermediation Korean music industry media technology popular music social networking services ab: This paper examines the changes brought by digital technologies in the cultural economy of music in Korea. First, I look at how digital technologies forced the reorganization of the music industry. The dominant technological mediation of the 'idol star system' in the late 1990s gave way to industrial reorganization toward concentration and integration across the information and communications technologies (ICTs) industries and the media/entertainment industries. Second, I discuss how digital technologies impact on the way we experience music. I suggest that digital technologies accelerate personal and social uses of music and contribute to a diversified music culture. Finally, I discuss how the digital culture of music is framed by, and is linked with the industrial rearrangement. I suggest that the ongoing digitalization radically transforms how we conceive the music industry, and renders the nature of music redefined and contested. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Inter-Asia Cultural Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Inter-Asia Cultural Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2009 holdings: @attributes: islocal: N |
|---|