"A Libell, for an Epitaph": The Parodic Epitaph in the Early Stuart Period.

The article focuses on the parodic epitaph in the early stuart age. It states that the parodic epitaph differs from the parent genre wherein it offers a counter to the official version that praised the deceased. It cites the immortality of the parodic was based upon multiplication of copies, encoura...

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Publicado en:Appositions: Studies in Renaissance / Early Modern Literature & Culture Vol. 1; pp. 26 - 34
Autor principal: Doelman, James
Formato: Artículo
Publicado: W. Scott Howard 2008
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        19461992
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        atl: "A Libell, for an Epitaph": The Parodic Epitaph in the Early Stuart Period.
      aug:
        au: Doelman, James
        affil: Brescia University College, University of Western Ontario
      su:
        Epitaphs in literature
        Parody in literature
        Literary form
        Dead
        Laudatory poetry
        Death
        Legacies
        Rhetoric
        Criticism
      sug:
        subj:
          Epitaphs in literature
          Parody in literature
          Literary form
          Dead
          Laudatory poetry
          Death
          Legacies
          Rhetoric
          Criticism
      ab: The article focuses on the parodic epitaph in the early stuart age. It states that the parodic epitaph differs from the parent genre wherein it offers a counter to the official version that praised the deceased. It cites the immortality of the parodic was based upon multiplication of copies, encouraged by brevity and memorability compared to literal epitaphs. It notes that the content of the parodic epitaphs is changed from eulogistic praise to sharp rebuke and blame eventhough it uses the same rhetorical techniques that were widespread in the parent form. Furthermore, a parodic epitaph written about a living figure may be a reminder of the legacy that the subject might face on her actual death.
      pubtype: Academic Journal
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      src: R
    language: English
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      custom: Copyright of Appositions: Studies in Renaissance / Early Modern Literature & Culture is the property of W. Scott Howard and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
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