Exclusion, Polarization, Hybridization, Assimilation: Otherness and Modernity in the Swedish Jazz Age.
The introduction of jazz in Sweden fed into discourses renegotiating modern forms of identity in welfare society. In this new Jazz Age, music became an arena for reformulating norms of age, class, ethnicity, and gender differences. This article presents an intersectional and inter-medial study of so...
| Published in: | Popular Music & Society Vol. 33; no. 2; pp. 219 - 237 |
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| Format: | Article |
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Taylor & Francis Ltd
May2010
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=48795316&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 48795316 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007766 POA jtl: Popular Music & Society issn: 03007766 maglogo: Y pubinfo: dt: May2010 vid: 33 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 48795316 10.1080/03007760903236814 ppf: 219 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 320KB tig: atl: Exclusion, Polarization, Hybridization, Assimilation: Otherness and Modernity in the Swedish Jazz Age. aug: au: Fornäs, Johan su: Jazz -- Social aspects Social classes Group identity Multiculturalism Ethnic groups Gender differences (Psychology) Social change Sweden sug: subj: Sweden Jazz -- Social aspects Social classes Group identity Multiculturalism Ethnic groups Gender differences (Psychology) Social change ab: The introduction of jazz in Sweden fed into discourses renegotiating modern forms of identity in welfare society. In this new Jazz Age, music became an arena for reformulating norms of age, class, ethnicity, and gender differences. This article presents an intersectional and inter-medial study of songs, films and print sources with such topics. The new jazz idiom was linked to enticing and horrifying forms of otherness. Four basic positions are highlighted in the successive integration of both jazz and identities, from separation to fusion: demonizing exclusion, primitivist polarization, diversifying hybridization and normalizing assimilation. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Popular Music & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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