Completing the Virgilian Marriage Plot: Ariosto and the Broken Flowers of Epic.

This paper explores the continuation of the Virgilian marriage plot in works such as Mapheus Vegius's Supplement to Virgil's Aeneid, showing how the reintegration of erotic love and dynastic marriage responds to particular cultural concerns of the late medieval and early modern period. My argument c...

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Publicado en:Italian Studies Vol. 65; no. 1; pp. 7 - 33
Autor principal: Wells, Marion A.
Formato: Artículo
Publicado: Taylor & Francis Ltd Mar2010
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Completing the Virgilian Marriage Plot: Ariosto and the Broken Flowers of Epic.
      aug:
        au: Wells, Marion A.
        affil: Middlebury College, USA
      su:
        Virgil, 70 B.C.-19 B.C.
        Ariosto, Lodovico, 1474-1533
        Aeneid
        Marriage
        15th century Italian poetry
        16th century Italian poetry
        Italian poetry
        Epic poetry
      sug:
        subj:
          Marriage
          15th century Italian poetry
          16th century Italian poetry
          Italian poetry
          Epic poetry
          Aeneid
          Virgil, 70 B.C.-19 B.C.
          Ariosto, Lodovico, 1474-1533
      keyword:
        ARIOSTO
        EPIC
        MARRIAGE
        ROMANCE
        VEGIUS
        VIRGIL
        ARIOSTO
        EPIC
        MARRIAGE
        ROMANCE
        VEGIUS
        VIRGIL
      ab: This paper explores the continuation of the Virgilian marriage plot in works such as Mapheus Vegius's Supplement to Virgil's Aeneid, showing how the reintegration of erotic love and dynastic marriage responds to particular cultural concerns of the late medieval and early modern period. My argument culminates in a reading of Ariosto's treatment of this late-Virgilian legacy, focusing narrowly on his complex revision of one of Virgil's signature themes: the eroticized death of a young warrior. In light of this material, I argue that Brandimarte emerges in Ariosto's poem as a crucial figure whose eroticized death signals a decisive shift towards a Virgilian fragmentation of love and duty, and away from the compromise formations of Vegius's romance ending. The entombment of Brandimarte with his beloved Fiordiligi casts a long shadow over the dynastic marriage that closes the poem, prefiguring not only Ruggiero's premature death but also the mutual imbrication of marriage and violence in this early modern context.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
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