Chicago lindo y querido si muero lejos de ti: el pasito duranguense, la onda grupera y las nuevas geografias de la identidad popular mexicana.
The article aims to show, through an examination of the music, careers, and deaths of Mexican popular singers Jorge Negrete and Sergio Gómez, that during the mid 20th and early 21st centuries the locus of Mexican popular culture moved from central Mexico to the northern border and into the United St...
| Published in: | Mexican Studies / Estudios Mexicanos Vol. 26; no. 1; pp. 31 - 46 |
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| Format: | Article |
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University of California Press
Winter2010
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=49069516&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 49069516 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07429797 MXS jtl: Mexican Studies / Estudios Mexicanos issn: 07429797 maglogo: N pubinfo: dt: Winter2010 vid: 26 iid: 1 pid: 414 pub: University of California Press artinfo: ui: 49069516 ppf: 31 ppct: 15 formats: tig: atl: Chicago lindo y querido si muero lejos de ti: el pasito duranguense, la onda grupera y las nuevas geografias de la identidad popular mexicana. aug: au: Ramírez-Pimienta, Juan Carlos affil: San Diego State University, Imperial Valley. su: Popular culture Mexican popular music Negrete, Jorge Gómez, Sergio Male singers Mexicans Popular music Funerals Mexican civilization Mexico United States sug: subj: Mexico United States Popular culture Mexican popular music Negrete, Jorge Gómez, Sergio Male singers Mexicans Popular music Funerals Mexican civilization keyword: Chalino Duranguense Elizalde grupero identities K-Paz Mexican Negrete norteño popular grupera identidades mexicana narcocorrido Norteño pasito ab: The article aims to show, through an examination of the music, careers, and deaths of Mexican popular singers Jorge Negrete and Sergio Gómez, that during the mid 20th and early 21st centuries the locus of Mexican popular culture moved from central Mexico to the northern border and into the United States. It contrasts the repatriation of Negrete's remains to Mexico after his death in Los Angeles, California in 1953 with Gómez' funeral in Chicago, Illinois and burial in Avon, Indiana in 2007. The article notes that Negrete was universally known in Mexico as one of the country's greatest singers and actors, as well as the epitome of the image of the Mexican "charro." On the other hand, it notes that Gómez was most popular among people of Mexican decent living in the United States. pubtype: Academic Journal doctype: Article src: R language: Spanish refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2010 holdings: @attributes: islocal: N |
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